Branded content and luxury fashion brands: a study on the composition of fashion films

Authors

DOI:

https://doi.org/10.24265//cian.2022.n15.03

Keywords:

Branded content, Fashion film, Fashion, Branded entertainment, Advertainment

Abstract

In the last decade, the use of fashion films as a strategic content in the fashion industry has acquired special relevance. The objectives of this research are aimed at framing fashion films within the framework of branded content and distinguishing their specific characteristics in the sector of luxury fashion brands, such as Louis Vuitton, Hermès, Burberry and Dior. To do this, a qualitative methodology is used to study the most representative fashion films of the selected brands through an aesthetic analysis and a diegetic analysis. The results of the research show that brands conceive fashion films as content marketing, advertainment and branded entertainment, with different aesthetic and narrative characteristics.

Metrics

Metrics Loading ...

Downloads

Download data is not yet available.

Author Biographies

  • Tomás Atarama Rojas, University of Piura

    Doctor in Communication and Academic Master in Communication from the Universidad de los Andes (Chile), Master in Creation of Audiovisual Scripts from the International University of La Rioja (Spain) and Bachelor of Communication from the University of Piura (Peru). Currently, he works as a professor and researcher in the Department of Communication at the University of Piura. Research in the areas of transmedia storytelling, corporate storytelling and the social audience.

  • Kelly Robledo Dioses, Autonomous University of Barcelona

    doctoral student in Communication and Journalism and Master in Journalism and innovation in digital content from the Autonomous University of Barcelona (Spain), and a degree in Communication from the University of Piura (Peru). Currently, she works as a researcher in the Department of Journalism and Communication Sciences at the UAB. Research in the areas of branded content, corporate storytelling, transmedia journalism and media literacy.

  • Leslie Kam Arteaga, University of Piura

    Degree in Communication from the University of Piura (Peru). She is currently a junior consultant at Café Taipá - Reputation Marketing Consulting. She used to work as a research professor at the Faculty of Communication at the University of Piura (Peru), where she taught the subjects Fundamentals of Strategic Planning, Digital Marketing, Marketing Communications Projects and Consumer Behavior. His research focuses on fashion marketing, branded content and branding.

References

Adams, S. (2014, 26 de diciembre). Hermès: El imperio secreto del lujo. Forbes. https://www.forbes.com.mx/forbes-life/hermes-el-imperio-secreto-del-lujo/

Anido, N. y Loussaïef, L. (2018). When Advertising Highlights the Binomial Identity Valuesof Luxury and CSR Principles: The Examples of Louis Vuitton and Hermès. Corporate Social Responsibility and Environmental Management, 25(4), 565-582. https://doi.org/10.1002/csr.1479

Atarama-Rojas, T. y Castañeda-Purizaga, L. (2017). La ruptura de la rutina y la soledad de los protagonistas como detonante de las grandes historias breves: Análisis de los cortometrajes animados ganadores del Oscar (2011-2015). Revista de Comunicación, 16(1), 9-28.

Burberry. (2017). Discover the story of Burberry. https://au.burberry.com/our-history/

Caerols, R. y De la Horra, Y. (2015). Fórmulas creativas en la publicidad de moda: un análisis de Madrid Fashion Film Festival y su impacto en las redes sociales. Prisma Social, (14), 336-378.

Cary, A. (2021, 28 de abril). The Hermès Birkin or The Kelly… Choose Your Fighter. Vogue. https://www.vogue.co.uk/fashion/article/hermes-birkin-kelly-bag

Chaboud, I. (2017, 11 de julio). Hermès: behind the scenes of the French luxury gem. The Conversation. https://theconversation.com/hermes-behind-the-scenes-of-the-frenchluxury-gem-80551

Córdoba, M. (2017, 11 de abril). Louis Vuitton y Jeff Koons «pintan» una colaboración histórica. ¡HOLA! https://fashion.hola.com/tendencias/2017041163184/louis-vuitton-jeffkoons/

de Aguilera-Moyano, J., Baños-González, M. y Ramírez-Perdiguero, F. (2015). Branded entertainment: Los contenidos de entretenimiento como herramienta de comunicación de marketing. Un estudio de su situación actual en España. Revista Latina de Comunicación Social, 70, 519-538. https://doi.org/10.4185/RLCS-2015-1057

de Aguilera-Moyano, J., Baños-González, M. y Ramírez-Perdiguero, F. (2016). Los Mensajes Híbridos en el marketing postmoderno: una propuesta de taxonomía. ICONO. Revista Científica de Comunicación y Tecnologías Emergentes, 14(1), 26-57. https://doi.org/10.7195/ri14.v14i1.890

Del Pino-Romero, C. y Castelló-Martínez, A. (2015). La comunicación publicitaria se pone de moda: branded content y fashion films. Revista Mediterránea de Comunicación, 6(1), 105-128. https://doi.org/10.14198/MEDCOM2015.6.1.07

Díaz, P. y García, L. (2016). Fashion films as a new communication format to build fashion brands. Communication & Society, 29(2), 45-61. https://doi.org/10.15581/003.29.2.45-61

Foreman, K. (2015, 16 de enero). The Birkin bag: Fashion’s ultimate status symbol. BBC Culture. https://www.bbc.com/culture/article/20150116-the-ultimate-status-symbol

Formoso, M. J., Sanjuán, A. y Martínez, S. (2016). Branded content versus product placement. Visibilidad, recuerdo y percepción del consumidor. Pensar La Publicidad, 10, 13-25. https://doi.org/10.5209/PEPU.53771

Garrido, P. y Fernández, P. (2014). Branded content & Storytelling: la distancia más corta entre dos personas es una historia. En P. Fernández y S. Liberal (Eds.), Últimos estudios sobre Publicidad: de «Las Meninas» a los tuits (pp. 35-48). Editorial Fragua.

Kam, L., Robledo-Dioses, K. y Atarama-Rojas, T. (2019). Los fashion films como contenido particular del marketing de moda: un análisis de su naturaleza en el contexto de los mensajes híbridos. Anagramas - Rumbos y Sentidos de La Comunicación, 17(34), 203-224. https://doi.org/10.22395/angr.v17n34a10

Kapferer, J. N. y Valette-Florence, P. (2016). Beyond rarity: the paths of luxury desire. How luxury brands grow yet remain desirable. Journal of Product & Brand Management, 25(2), 120-133. https://doi.org/10.1108/JPBM09-2015-0988

Kim, S. (2020). The types and expressions of new media fashion film. The Research Journal of the Costume Culture, 28(1), 96-113. https://doi.org/10.29049/rjcc.2020.28.1.96

Macías, G. (2014). La integración de los valores de marca en los fashion films a través del guión: el caso Lady Dior. Universidad de Sevilla. https://doi.org/10.13140/2.1.1357.3440

Maisey, S. (2016, 19 de junio). Of trench coats and technology: Christopher Bailey to take Burberry to the forefront of fashion. The National. https://www.thenationalnews.com/arts/oftrenchcoatsandtechnology-christopher-bailey-totakeburberrytotheforefrontoffashion1.197877

Menkes, S. (2015a, 10 de marzo). Hermès: un contendiente tranquilo. Vogue. https://www.vogue.es/suzymenkes/articulos/cronica-suzy-menkes-de-hermes-en-paris-fashionweek/22101

Menkes, S. (2015b, 7 de mayo). La tormenta del desierto de Louis Vuitton. Vogue. https://www.vogue.mx/suzy-menkes/articulos/suzy-menkes-louis-vuitton-crucero-2016/5146

Menkes, S. (2016, 20 de septiembre). Burberry’s Retail Revolution. Vogue. https://www.vogue.co.uk/article/suzylfw-burberrys-retail-revolution

Menkes, S. (2017, 24 de enero). SuzyCouture: El laberinto de gracilidad de Dior. Vogue. https://www.vogue.mx/suzy-menkes/articulos/coleccion-dior-alta-costura-primavera-verano-2017/6824

Mijovic, N. (2013). Narrative form and the rhetoric of Fashion in the promotional Fashion film. Film, Fashion & Consumption, 2(2), 175-186.

Milenio. (2020, 21 de enero). Christian Dior y su «New Look», que revolucionó la historia de la moda femenina. https://www.milenio.com/estilo/moda-y-belleza/christian-dior-newlook-revoluciono-historia-moda

Patrutiu, L. (2015). Content marketing - the fundamental tool of digital marketing. Bulletin of the Transilvania University of Brasov, 8(57), 111-118.

Posner, H. (2015). Marketing Fashion: Strategy, Branding and Promotion. Laurence King Publishing.

Ramírez, M. (2017, 23 de enero). El jardín encantado de DiorCouture. Vogue. https://www.vogue.mx/moda/estilo-vogue/articulos/coleccion-dior-alta-costura-primavera-verano-2017-maria-grazia-chiuri/6819

Ramos, M. (2006). Cuando la marca ofrece entretenimiento: aproximación al concepto de advertainment. Questiones Publicitarias, 1(11), 33-49.

Ramos, M. y Pineda, A. (2009). El advertainment y las transformaciones de los formatos en el ámbito publicitario: el caso de los fashion films. Trípodos, Extra 2009 (2), 729-737.

Samaha, B. (2016,17 de agosto). How Christian Dior’s Runway Bag Keeps to the Brand’s Ladylike Reputation. Forbes. https://www.forbes.com/sites/barrysamaha/2016/08/17/howchristian-diors-runway-bag-keeps-to-the-brands-ladylike-reputation/?sh=79fc23e73b17

Sánchez-Escalonilla, A. (2016). Del guion a la pantalla. Ariel.

Segarra-Saavedra, J. y Hidalgo-Marí, T. (2013). Brand content y ficción televisiva. El caso de «I + B, Ir más a los bares» de Coca Cola. V Congreso Internacional Latina de Comunicación. Universidad de La Laguna.

Sheffield, E. (2015, 7 de mayo). Louis Vuitton’s Palm Springs Cruise. Vogue. https://www.vogue.co.uk/article/louis-vuitton-palm-springs-cruise-collection

Sherman, L. (2016, 24 de mayo). Hermès Bets on Ready-to-Wear. The Business of Fashion. https://www.businessoffashion.com/articles/luxury/hermes-womens-artistic-directorvanhee-cybulski-ready-to-wear

Tungate, M. (2008). Marcas de moda: marcar estilo desde Armani a Zara (Trad. Belén Herrera). Gustavo Gili.

Vogue. (2013, 4 de noviembre). Ghesquière para LV. https://www.vogue.mx/moda/estilo-vogue/articulos/anuncio-nicolas-ghesquiere-nuevo-director-creativo-louis-vuitton/3008

Vogue. (2017, 21 de febrero). 7 cosas que debes saber sobre BurberryMakersHouse. https://www.vogue.mx/moda/estilo-vogue/articulos/el-desfile-primavera-verano-2017-deburberry-makers-house-en-london-fashion-week/6966

Wang, J. y Juhlin, O. (2020). Unpacking Fashion Film for Digital Design. Fashion Practice, 12(1), 126-151. https://doi.org/10.1080/17569370.2019.1635345

Wolff, Z. (2017, 7 de abril). Burberry, Unplugged: Christopher Bailey. Elle. https://www.elle.com/fashion/interviews/a43628/burberry-unplugged-christopher-bailey/

Published

2022-06-30

How to Cite

Atarama Rojas, T., Robledo Dioses, K., & Kam Arteaga, L. (2022). Branded content and luxury fashion brands: a study on the composition of fashion films. Correspondences & Analysis, 15, 57-82. https://doi.org/10.24265//cian.2022.n15.03

Share

Similar Articles

21-30 of 63

You may also start an advanced similarity search for this article.